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Tom's avatar

This and Dial M for Murder are my favourite US Hitchcock films (see Sabotage -1936 if you want to see some of his excellent early stuff made in Britain). I need to watch Rear Window again, I had not considered it had to all be a set but there's no way they could have done it otherwise. Nice article G.

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Gareth Bradwick's avatar

Thanks Tom! Yes I’ve got a box set waiting for me to get through. I’ll admit I’ve seen neither of the films you suggested! North by Northwest is my other favourite of his.

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Tom's avatar

Dial M For Murder is an interesting one production wise, it's set in London but was filmed in Hollywood and you'll spot a lot of clues, like odd back projection of London streets in places. Enjoy! Also Strangers on a Train is great. I think I might watch some Hitchcock now...

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Gareth Bradwick's avatar

As we’re both Top Fans of each other we can probably watch them together….

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Tom's avatar

If only. Damn that restraining order.

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Gareth Bradwick's avatar

You seem to ignore it most of the time.

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Cristina Carmona Aliaga's avatar

I watched this film years ago and reading your post I realise I missed many details, so a rewatch is in order. It’s so satisfying to know about all the work that has happened behind the scenes and that it’s so seamlessly shown on screen, especially in a movie where the protagonist is bound to the limits of his flat and yet the suspense builds up in such a dynamic way.

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Gareth Bradwick's avatar

Thanks Christina. Yeah knowing how they made it adds to the movie I think. No stone was left unturned!

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Jon's avatar

Great piece! Hitchcock's Rear Window is a masterclass in suspense and cinematic detail. The innovative set design, meticulous filming techniques, and moral complexity make it a timeless classic. This film isn't just watched; it's experienced, drawing viewers into its intricate world with unmatched finesse.

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Gareth Bradwick's avatar

Thanks Jon. So true!

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Reids on Film's avatar

Absolutely a classic. And the voyeurism question is key...we know we shouldn't look but we can't turn away. On a related note, a question for the film-maker: what do you show and what do you hide? That's an issue that comes up in Jonathan Glazer's recent film Zone of Interest, which we will we discussing in our podcast next week.

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Gareth Bradwick's avatar

the making of this movie also makes me think of Synecdoche, New York which I think you have covered previously? Building out a world..the endless pursuit of perfection.

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